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Photo ©:
Mark Gunter
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It is about the bike...
By Les Clarke
A SRAM Red crankset fitted
with an SRM
Photo ©: Mark Gunter
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Lance Armstrong's fight
against cancer
Photo ©: Mark Gunter
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That 1274 figure appears
Photo ©: Mark Gunter
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Armstrong honours the 27.5
million people
Photo ©: Mark Gunter
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Ben Coates of Trek says
that
Photo ©: Mark Gunter
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One of the first observations Treks team liaison Ben Coates tells
Cyclingnews about is the number of fellow pro riders that ask
to be photographed with Lance Armstrongs Trek Madone 6.9, complete
with Livestrong livery. Astana team mechanic Chris agrees, as he checks
the weight of the rig.
"Seven twenty six," says Chris to Silence-Lotto mechanic
Steven in Flemish. They then discuss the various aspects of Lances
bike compared to Matt Lloyds Silence-Lotto Canyon, the bike I
have just been measuring and photographing for this section of Cyclingnews.
Its a nice exchange between two experienced wrenchers who have
seen most of the bike exotica the pro peloton has on offer.
"This is a stock bike, we pulled it right off the line,"
says Coates. "Theres no special person that builds Lances
bikes, no special process they go through... Someone went to the back
of the factory in Waterloo, Wisconsin and took the bike off the line
and painted it up."
We did this bike in less than 10 days - from a twinkle in the designers
eye to the delivery here in Adelaide," says Coates. "It was
really a remarkable feat to pull it together - basically, all we got
from Lance was, Maybe think about how long Ive been retired.
Where it gets all customised is in the paintjob. The number 1274 represents
the number of days Armstrong was retired before making his comeback
at the Cancer Council Classic in Adelaide, whilst 27.5 represents the
millions of people who have died from the disease in the time since
the seven-time Tour de France champion stepped off the podium in Paris
after sealing his last Tour crown.
Coates explains that all the work was done in Waterloo, the paintjob
by Project One. "Its not the Project One of old," he
says. "Its which cranks and gruppo you want, what colour
paint you want, what colour housing, brake hoods, saddle
the works.
Its the next evolution of Project One. This bike was done completely
within the group."
He tells Cyclingnews that the company is working on a commercially
viable version of the bike, although this is not an easy task as it
took 31 hours of just painting time to incorporate the detail and themes
present on this Madone. "Its all paint - no decals - and
theres no production process for a bike this intricate,"
he adds.
Other than the paintjob, my first observations are that the stem and
top tube look quite long. After seeing Armstrong this week I make the
conclusion that this is needs to be the case as the American possesses
long limbs. His arms and legs give him a stretched appearance,
hence the longer bar and stem.
Overall, like Armstrongs comeback, its a machine designed
to convey a message, and unlike the statement hes made in the
past, this time it might just be a bit about the bike.
PhotographyFor a thumbnail gallery of these images, click here
Images by
Mark Gunter/www.pbase.com/gunterphotograph
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